Towards an experimental narratology for graphic narrative / von Oliver Moisich, Betreuer: Dr. Alexander Dunst. Paderborn, 2024
Inhalt
- Abstract
- Acknowledgements
- Introduction: Comics, Narratology, and the Empirical Approach
- Graphic Narrative and Focalization
- Defining Graphic Narrative
- Empirical and Quantitative Approaches to Graphic Narratives
- Focalization in Review
- Empirical and Quantitative Approaches to Focalization
- Literary Theory and Cognition
- Empiricism, Statistical Analysis, and Focalization
- Corpus Analysis
- Empirical and Quantitative Approaches: Concluding Remarks
- Visual Focalization: Two Empirical Experiments
- Experiment I: Visual Focalization as a Cognitive Concept
- Experiment II: Cognition and Contextualization
- Empirical Evidence for Visual Focalization as Annotation Category
- Focalization and Annotation: Surveying a Comics Corpus
- Data Presentation
- Corpus Analysis: Visual Focalization
- Visual Focalization in From Hell, Batman: The Killing Joke, and Watchmen: Perspective-Takeover and Perspective-Clash
- Focalization and Self-Image: Visions of Oneself in Gemma Bovery, City of Glass, and Maus
- Focalization as Individual History and Fictional Memory: Persepolis, Jimmy Corrigan, and Signal to Noise
- Conclusion: Between Narrative Theory and Empirical Data
- Implications of Empirical and Quantitative Data for Focalization
- Visual Focalization in Graphic Narrative and the Empirical Evidence
- Visual Focalization in Graphic Narrative Corpora
- Bridging the Gap between Qualitative Criticism and Quantitative Evidence
- Towards an Experimental Narratology for Graphic Narrative
- Works Cited
- Deutsche Zusammenfassung