The History Of English Poetry : From The Close of the Eleventh To The Commencement of the Eighteenth Century / By Thomas Warton, B. D. Fellow of Trinity College Oxford, and of the Society of Antiquaries.. London : Dodsley [u.a.], 1774 - 1781 : Vol. II. 1778
Inhalt
- PDF Vol. III.
- PDF Volume The First
- PDF Vol. II.
- PDF Vorderdeckel
- PDF Vorsatz
- PDF Titelblatt
- PDF [III] Contents Of The Sections in the Second Volume.
- PDF [1] Section I. John Gower. His character and poems. His tomb.His Confessio Amantis. Its subject and plan. An unsuccessful imitation of the Roman de la Rose. Aristotle's Secretum Secretorum. Chronicles of the middle ages. Colonna. Romance of Lancelot. The Gesta Romanorum. Shakespeare's caskets. Authors quoted by Gower. Chronology of some of Gower's and Chaucer's poems. The Confessio Amantis preceded the Canterbury Tales. Estimate of Gower's genius.
- PDF 32 Section II. Boethius. Why, and how munch, esteemed in the middle ages. Translated by Johannes Capellanus, the only poet of the reign of king Henry the fourth. Number of Harpers at the coronation-feast of Henry the fifth. A minstrel-piece on the Battayle of Agynkourte. Occleve. His poems. Egidius de Regimine Principum, and Jacobus of Casali De Ludo Scaccorum. Chaucer's picture. Humphrey duke of Gloucester. Sketch of his character as a patron of literature. Apology for the gallicisms of Chaucer, Gower [...]
- PDF 51 Section III. Reign of Henry the sixth. Lydgate. His life and character. His Dance of Death. Macaber a German poet. Lydgate's poem in honour of Saint Edmund. Presented to Henry the sixth, at Bury-abbey, in a most splendid manuscript, now remaining. His Lyf of our Lady. Elegance and harmony of his stile and versification.
- PDF 61 Section IV. Lydgate continued. His Fall of Princes, from Laurence Premierfait's French paraphrase of Boccace on the same subject. Nature, plan, and specimens of that poem. Its sublime attegorical figure of Fortune. Authors cited in the same. Boccace's opportunities of collecting many stories of Greek original, now not extant in any Greek writer. Lydgate's Storie of Thebes. An additional Canterbury Tale. Its plan, and originals. Martianus Capella. Happily imitated by Lydgate. Feudal manners applied to [...]
- PDF 81 Section V. Lydgate's Troy-Boke. A paraphrase of Colonna's Historia Trojana. Homer, when, and how, first known in Europe. Lydgate's powers in rural painting. Dares and Dictys. Feudal manners, and Arabian imagery, ingrafted on the Trojan story. Anecdotes of antient Gothic architecture displayed in the structure of Troy. An ideal theatre at Troy so described, as to prove that no regular stage now existed. Game of chefs invented at the siege of Troy. Lydgate's gallantry. His anachronisms. Hector's shrine [...]
- PDF 101 Section VI. Reign of Henry the sixth continued.Hugh Campeden translates the French romance of Sidrac. Thomas Chestre's Sir Launfale. Metrical romance of the Erle of Tholouse. Analysis of its Fable. Minstrels paid better than the clergy. Reign of Edward the fourth. Translation of the classics and other books into French. How it operated on English literature. Caxton. Anecdotes of English typography.
- PDF 125 Section VII. Harding's Chronicle. First mention of the king's Poet Laureate occurs in the reign of Edward the fourth. History of that office. Scogan. Didactic poems on chemistry by Norton and Ripley.
- PDF 139 Section VIII. Poems under the name of Thomas Rowlie. Supposed to be spurious.
- PDF 165 Section IX. The reigns of Richard the third, and Henry the seventh, abound in obscure versifiers. Bertram Walton. Benedict Burgh translates Cato's Latin Distichs. History of that work. Julian Barnes. Abbesses fond of hunting and hawking. A religious poem by William of Nassyngton. His Prologue explained. Minstrels and Gestours to be distinguished. Gest of the Three Kings of Cologne sung in the arched chamber of the Prior at Winchester. The Gest of the Seven Sleepers. Originally a Greek Legend. [...]
- PDF 210 Section X. Reign of Henry fthe seventh. Hawes. His poems. Painting on the walls of chambers. Visions. Hawes's Pastyme of Pleasure. The fable analysed. Walter. Medwall. Wade.
- PDF 240 Section XI. Barklay's Ship of Fools. Its origin Specimens. Barklay Eclogues, and other pieces. Alcock bishop of Ely. Modern Bucolics.
- PDF 257 Section XII. Digression to the Scotch poets. William Dunbar. His Thistle and Rose, and Golden Terge. Specimens. Dunbar's comic pieces. Estimate of his genius. Moralities fashionable among the Scotch in the fifteenth century.
- PDF 280 Section XIII. Scotch poets continued. Gawen Douglass. His translation of the Eneid. His genius for descriptive poetry. His Palice of Honour, and other pieces.
- PDF 295 Section XIV. Scotch poets continued. Sir David Lyndesay. His chief performances the Dreme, and Monarchie. His talents for description and imagery. His other poems examined. An anonymous Scotch poem, never printed, called Duncane Laider. Its humour and satire. Feudal robbers. Blind Harry reconsidered. A History of the Scotch poetry recommended.
- PDF 336 Section XV. Skelton. His life. Patronised by Henry, fifth earl of Northumberland. His character, and peculiarity of style. Critical examination of his poems. Macaronic poetry. Skelton's Morality called the Nigramansir. Moralities at their height about the close of the seventh Henry's reign.
- PDF 366 Section XVI. A digression on the origin of Mysteries. Various origins assigned. Religious dramas at Constantinople. Plays first acted in the monasteries. This ecclesiastical origin of the drama gives rise to the practice of performing plays in universities, colleges, and schools. Influence of this practice on the vernacular drama. On the same principle, plays acted by singing-boys in choirs. Boybishop. Fete de Foux. On the same principle, plays acted by the company of parish clerks. [...]
- PDF 407 Section XVII. Causes of the increase of vernacular composition in the fifteenth century. View of the revival of classical learning. In Italy. In France. In Germany. In England.
- PDF 433 Section XVIII. The same subject continued. Reformation of religion. Its effects on literature in England. Application of this digression to the main subject.
- PDF Emendations And Additions In The First and Second Volume.
- PDF Vorsatz
- PDF Rückdeckel
- PDF Rücken